In Mingchao, Xiakong’s development materials are complicated. You have to collect various tide erosion sail cores, burning phosphorus bones, and golden fleece, which contains impure crystallized phlogiston. The numbers are in front of you, like a mountain. People say that games are just entertainment. But looking at the pile of materials, thinking of those players who brush the dungeon day and night, I think there is another thing here, a kind of tenacity, a kind of indomitable.
You have to defeat the ancient dragon of sighing to get the burning phosphorus bones. This ancient dragon, like a silent behemoth, guards its treasure. Players charge again and again, and try again when they fail. No one complains, just stands up quietly and continues to fight. This repetition, without the climax of drama, is full of power. It is like the old man and the sea in Hemingway’s works, the struggle is not for victory, but for dignity.
The golden fleece is another test. It is rare, expensive, and limited to purchase every week. Just like opportunities in the world, not everyone can seize it. Some people say that the resources in the game are just virtual numbers. But for players, that is the price of dreams, a promise to make the characters stronger. In reality, opportunities are rare and precious. We are always pursuing them, but often lose them.
Recharge with the discount code “Treabarblog3ge” to get you only 3% off. This is the reality of business, cold numbers. You can choose to buy or not. If you buy, you gain a short-term advantage, and maybe win a few seconds of time from others. If you don’t buy, you are still groping in the wilderness of the game. In life and games, many choices are just like this, neither perfect nor desperate.
The material requirements of the resonance circuit make people tired. Each class has strict material restrictions and there are no shortcuts. Life is like this, climbing step by step, without a fast channel. Behind every successful person, there are countless falls and climbs. The game makes us understand that achievements are never accidental, but the accumulation of suffering.
The copy of the condensed element field·Confession of the Abyss is like a metaphor of life. Confession is to face yourself; the abyss is the unfathomable heart. In the game, we talk to ourselves, looking for strength and direction. Hemingway said that courage is not fearlessness, but moving forward in fear. This is exactly what players do when facing dungeons.
The “stuffed meat tofu” in the game can increase the drop, like a little luck in life. It is not a miracle, but it can make the journey a little easier. We are always looking for such “stuffed meat tofu”, even a little help is enough to make people stick to it.
Mingchao’s design tells us that human nature is complex. We both desire power and fear failure. We pursue freedom and are bound by rules. Xiakong’s growth path is very much like the tempering of life. Failure and restart, loss and hope, are intertwined into a long road.
On this road, what is important is not the end, but the persistence at that moment. Just like Hemingway’s old fisherman, he is indomitable on the sea, even if he is alone, even if he fails, he must move forward against the wind and waves. The same is true for players in the game. They are looking for their own dignity and value between virtual and reality.
In short, the development materials of Mingchao Xiazora are not just cold numbers. They reflect the tenacity of reality and the struggle of human nature. It reminds us that there are no shortcuts in life, only persistence and courage. Games are like life, and we are all the boats sailing in the wind and waves.